| Construction | Bolt-on Neck |
|---|---|
| Body | Ash |
| Neck | Maple U-Shape |
| Fingerboard | Maple |
| Scale | 34" (864mm) |
| Frets | 22F Medium Jumbo C.F.S. |
| Tuners | GOTOH® GB11W |
| Bridge | FGN FGBB-104 (String Pitch = 19mm) |
| Tailpiece | - |
| Hardware Color | Chrome & Nickel |
| Pickup (Neck) | Seymour Duncan® Quarter-Pound™ SJB-3n |
| Pickup (Middle) | - |
| Pickup (Bridge) | Seymour Duncan® 4-String Ceramic SMB-4D |
| Controls | 2Volume, 1Tone w/ Push-Pull SW (Series/Parallel Select) |
| Body Finish | Gloss |
| Strings | D'Addario EPS165SL (.045-.105) |
| Others | - |
| Accessories | Original Gig Bag |
| Color | VNT (Vintage Natural) / SBB (See-Thru Blue Burst) |
All FGN guitars and basses come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e. to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.
Sturdy FGBB bridge offers power and stability transmitting string vibration straight into body. It offers 2-way stringing options.
Precise and smooth vintage-looking GOTOH tuners.
Seymour Duncan Quarter-Pound J and Humbucking pickups offer traditional yet powerful sound vatiery.
