| Construction | Set-in Neck |
|---|---|
| Body | Flamed Maple Top / Mahogany Back |
| Neck | Mahogany U-Shape Beefy |
| Fingerboard | Rosewood |
| Scale | 24.75" (628mm) |
| Frets | 22F Medium Jumbo C.F.S. |
| Tuners | GOTOH® SD90-SL |
| Bridge | GOTOH® GE104B |
| Tailpiece | GOTOH® GE101A |
| Hardware Color | Chrome & Nickel |
| Pickup (Neck) | Seymour Duncan® SH-18n Whole Lotta Humbucker |
| Pickup (Middle) | - |
| Pickup (Bridge) | Seymour Duncan® SH-18b Whole Lotta Humbucker |
| Controls | 2Volume, 2Tone, 3Way Toggle SW |
| Body Finish | Top Lacquer Gloss |
| Strings | D'Addario EXL110 (.010-.046) |
| Others | - |
| Accessories | Original Gig Bag |
| Color | VV (Vintage Violin) |
All FGN guitars and basses come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e. to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.
Traditional style GOTOH bridge and tailpiece.
Precise and smooth vintage style GOTOH SD90-SL tuners.
Seymour Duncan Whole Lotta Humbucking pickups.
Switching System & Controls
