| Construction | Bolt-on Neck |
|---|---|
| Body | Alder |
| Neck | Maple U-Shape |
| Fingerboard | Rosewood |
| Scale | 25.5" (648mm) |
| Frets | 22F Medium C.F.S. |
| Tuners | GOTOH® SD91-05M MG |
| Bridge | FGN TP-N88 |
| Tailpiece | - |
| Hardware Color | Chrome & Nickel |
| Pickup (Neck) | FGN 63VS-HOT |
| Pickup (Middle) | FGN 63VS-HOT (Reversed Polarity) |
| Pickup (Bridge) | FGN HF-2 |
| Controls | 1Volume, 2Tone (Neck & Middle / Bridge w/ Push-Pull SW for Tap), 5Way Lever SW |
| Body Finish | Gloss |
| Strings | D'Addario EXL120 (.009-.042) |
| Others | - |
| Accessories | Original Gig Bag |
| Color | 3TS (3Tone Sunburst) / VWH (Vintage White) |
All FGN guitars and basses come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e. to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.
The compound radius fingerboard has smaller (rounder) radius towards nut while larger (flatter) radius towards neck end i.e. similar to a shape of a cone.This allows for much easier chord playing at lower frets while having less stress, especially when bending strings at higher registers.
Featuring Stainless Steel bolted on Stainless Steel Neck Plate offers quick response and punch.
Glow-in-the-dark side position mark works well on the stage while in the dark.
Pulling up the tone pot to simulate a single coil pick up sound by tapping coils.
Switching System & Controls
